The concept of mixodernism is described as: "the art of translating ideology through combining the truths of different spheres found in deconstruction and reinterpretation that lead to the creation of a qualitatively new entity in a contemporary context."

1.

№1 The world is a palette for ideological combinations

The world is a palette for ideological combinations

Do not devalue, do not destroy, do not forget

2.

№2 Do not devalue, do not destroy, do not forget

The tendency to specialize is to pinch words to express thought. Go beyond choosing only one way, medium, and medium of thought. Be a person of broader perspectives, look at intersections and opportunities for integration. Expand your horizons while maintaining a depth of understanding of each direction.

Flexible response to changes

3.

№3 Flexible response to changes

I encourage the artist to be expansive in the translation of ideas. To free oneself from the idea of a limited range of works. Get away from monotony and monotony. Don't let anyone box you in. Your only boundaries are your soul. Your influence can cover any sphere of this world. The main thing is professionalism in working with it.

Integrated thinking

4.

№4 Integrated thinking

Gone is the artistic anxiety that there are no more untold themes. Now the artist is a walking castle traveling through periods and areas among meanings. Stopping at new places, he creates an object based on the breadth of his factors.

Uniqueness is the synthesis of factors

5.

№5 Uniqueness is the synthesis of factors

In an era of information overload, the artist becomes a curator of information, analyzing the context in which that information exists and transforming the multitude of data into a coordinated artistic expression. Using data recognition and analytics technologies, works can change their form adapting to the right environment. This is an art where information integration and algorithms are used to create new art forms, creating harmony out of the chaos of information clutter.

Data becomes material in art

6.

№6 Data becomes material in art

The main act of creation is to help. The desire to convey an emotional message by acting on the viewer, while at the same time revealing the complexities of aspects of the theme. The ideal of impact is to create in the targeted viewer a new prism of perception with branches.

Useful action in contemporary art

7.

№7 Useful action in contemporary art

Open the maximum view to contemplate the world around you and gather a new message in the piece. Reach for authentic, forgotten, neglected values. Strive for light and don't create a ground of gloom, sarcasm and depressive wounds. Give purity and vitality that soothes the mind and instills meaning.
If you show the curse, only to show the joy of release from it.

Hurt his feelings — make him kinder.

8.

№8 Hurt his feelings — make him kinder.

A balance of pragmatism and sentiment.

9.

Assertiveness and perfectionism are pillars in the growth of the modern master. The most important of his skills is to ask the right questions to his art, to understand its path. The mind should almost complete the conception of a work before materializing it. Intuition should complement reason and guide you to find the form that is hidden within you without jeopardizing the integrity of the idea itself.

№9 A balance of pragmatism and sentiment.

Concept of future work

10.

Artists tweaked to create work in the right way, to show it to people in the right context and chose from the ways available to them to create work. Now the mastery of digital media is enough to reflect the view, not to limit oneself and to establish authorship. To deliver the work in a form and space that will be tangible to people now, but that can be used later.

№10 Concept of future work

The visionary artist strives to use all possible tools to fully reflect the prism of the contemporary context. Not limiting himself to a single method, he constantly expands their spectrum and strives to create single aesthetically coherent artistic combinations.

Vanguard of methods

11.

№11 Vanguard of methods

The appearance of the work frames the desired character emanating from it. The master has no limits in the choice of material to create an idea. Progress has helped to open up new possibilities, and we give everything a new form, trying to take the creation beyond the boundaries of flat reality into the space of the felt.

Bearer of art

12.

№12 Bearer of art

Immersive art

13.

Art strives for a multifaceted impact, appealing to all the human senses. It is now moving away from visual perception alone to the use of tactile, acoustic, olfactory and other influences so that they complement and support the idea of the work. By reaching from placement in the surrounding space to full virtual space, it will enable us to move beyond speculation to the full experience of the work.

№13 Immersive art

Art, technology and history come together in the pursuit of timelessness. The ease of transferring and immersing digital memory objects will allow you to preserve a virtual representation of the author's creation, interact with it and share it with future generations.

Digital Inheritance

14.

№14 Digital Inheritance

The journey of art in culture is not limited to reflecting one cultural paradigm. It seeks to unify and integrate different cultural contexts and work with cultural connotations. By creating multi-dimensional works, a diversity of voices is reflected and a unique and contemporary aesthetic is expressed. This expands the boundaries of understanding art and contributes to a renewed global cultural dialog.

Multiculturalism

15.

№15 Multiculturalism

Usability does not mean uncontrolled behavior. Without a clear methodology and organization, this approach will lead to chaos. Constantly look for a smaller but better option and use only as many things as are consistent and communicate the essence of the work without oversaturation. Don't make it difficult for the message to communicate with the viewer and don't overproduce.

Visual chaos

16.

№16 Visual chaos

Creating from the extreme is a technique of bad faith. There are costs associated with any phenomenon. The creation process is always about using the right proportions. It is important to focus on how each aspect enhances the idea so that the meaning is not lost. Extremes are repulsive and lead away from a full understanding of art. Be a keeper of balance without succumbing to the ease of extremes.

The art of balance

17.

№17 The art of balance

Communicate diversely and form new audience connections about art. Interacting with audiences of different characteristics allows the artist to see their work through different prisms of perception expanding their creative vision. Everything from collaborations to street art coexist in the growth of the artist and contribute to the development of new art.

Contact with the audience

18.

№18 Contact with the audience

It is important to interact with people rather than likening superficiality, simplicity and using conversion themes, adapting to any taste, losing depth and individuality. Keep a balance between accessibility and preserving the artistic value, originality and depth of the works.

Populism

19.

№19 Populism

Collaborative work is an opportunity to transcend boundaries, be it boundaries of cultures, disciplines or ideas. It is the pooling of each participant's ideas to create a qualitatively new entity at the limits of each area's mastery. Collaborative work highlights and emphasizes the traits of each artist.

Art together

20.

№20 Art together

The main focus of the artist is directed towards the process of perfection. The artist is not going to stop at the final goal. The artist is the universe and he strives for infinity in the process of qualitative self-expression, self-improvement and cognition. His path is like a stream, spilling over, becoming a river. Stopping, like stagnant water, turns the creator into a swamp.

Path

21.

№21 Path

Let's create a wonderful project together!